Friday, May 15, 2015

Watermelon Bay project developed by Janelle Dowell

Reposted for Lavon N. Pettis, ..."I want to introduce you to a really talented and dynamic emerging artist Janelle Vaughn Dowell. "
 

 


Here's a short video narrative of the Watermelon Bay project developed by Janelle Dowell for her MFA.    https://www.youtube.com/watch?v=t3_QxBE3Q1A

The opening reception for the exhibition is Thursday, May 14 at 6:00pm to 9:00pm
Center for Book & Paper Arts 1104 S. Wabash Ave, Chicago, IL 60605
http://events.colum.edu/event/interdisciplinary_arts_department_mfa_thesis_exhibition_and_performances_reception_masters_showcase#.VVPUiZO1_t4
Interdisciplinary Arts Department MFA Thesis Exhibition and Performances Reception Master's Showcase


           

Thursday, May 14 at 6:00pm to 9:00pm

 
1104 S. Wabash Ave, Chicago, IL 60605      

This exhibition features the thesis work of MFA candidates in the Interdisciplinary Arts Department.
 
The exhibition, which includes artists' books, works in handmade paper, print media, installations & sculpture, new media and time arts events are the culmination of one year of guided research. Each reflects the department’s dual focus on interdisciplinary book and paper arts and interdisciplinary arts and media.
 
Participating artists include: Christopher Bednash, Justin Botz, Sid Branca, Heather R. Buechler, Adrienne Ciskey, Angela Davis Fegan, Janelle Vaughn Dowell, Grayson Hügh Bagwell, Amy Leners, Tom J. Ruiz, Dustin Seelinger, Levi Sherman, Kellen Walker, Amanda Blake Willett
 
*Visit colum.edu/bookandpaper for a detailed event schedule

Sunday, May 10, 2015

"MATRIARCH" DESCENT AND RELATIONSHIP

"Art is Business"  Griffin Gallery

SAVE THAT DATE: Fine Art Exhibition and Reception

Friday June  19, 6-9pm

FINE ART & INTERIOR DESIGN

2233 S. Throop St. #209

Chicago, IL  60608


A matriarchy is a social organizational form in which the mother or oldest female heads the family. Descent and relationship are determined through the female line. Most anthropologists hold that there are no known societies that are unambiguously matriarchal, but some authors believe that exceptions are possible, some of them in the past. 
 
GRIFFIN FINE ART  proudly presents the work of five outstanding women artists. As they have created incredible artworks  from that intangible, primordial space that is the spirit and essence of  female expression.  They visually reflect upon the stories of life in the nurturing tradition that is uniquely feminine and fundamentally, matriarchal.  
 
"This exhibition promises to be a feast for the eyes and nourishment for the soul". 

Wednesday, May 6, 2015

Burnham Wildlife Corridor RFP Informational Sessions

"Art is Business" Curator Alpha Bruton

Saturday, May 2, 2015

CFA CRASHERS! Black Cinema House

"Art is Business" reposted for Lavon N. Pettis,

 GWENDOLYN BROOKS, 1966, WTTW

We are delighted to re-introduce our guest-programmer series, CFA CRASHERS! Once again we have invited some of our favorite locals into our vault to curate a film program all their own (absolutely no rules or strings attached)….but this time around we’ll be hopping around town, screening 16mm films at a location selected by our guest-programmer or “Crasher.” The general motivation behind the series remains the same: to have a lot of different communities and voices engaging with our materials, as we’re increasingly interested in collaborating with those who are eager to mix it up with the CFA films in ways not thought of before. All films will be presented in 16mm (plus Super 8mm this time around!).

Location:
Black Cinema House
7200 S. Kimbark Ave.
Chicago, IL 60619

Hours:4PM


Lavon N. Pettis, Photographer  Tony Smith

This May we are thrilled to have Lavon Nicole Pettis selecting the films. Lavon is a Creative Business Development Specialist who blends her background of Psychology and Sociology into the world of creative professionals such as fine artists, writers, actors, and cultural arts musicians. It is her goal to connect artists to galleries, critics, collectors and various communities in support of the artists’ work. She is especially keen on integrating music, storytelling, and cultural arts into the fields of education and community outreach.

Lavon’s program consists entirely of Chicago-made films that reflect her strong interest in art and community. She chose the Black Cinema House to present her film selections, which include a documentary on acclaimed Chicago sculptor, Richard Hunt, as well as a documentary on inspiring poet, teacher, and Chicagoan, Gwendolyn Brooks. Filling out the program is The Game -  a student film made by South Shore High School students in the early 1970′s and Super 8 home movies shot on the near-west side by Chicago artist & muralist, Don McIllvaine. The program will end with a trailer of the upcoming documentary Chronicles of Summer: Childhood in South Shore, which Lavon is producing with director Ife Olatunji.

Doors open at 3:30pm. Seating is limited, so we ask that attendees RSVP in advance here. Please note that we cannot guarantee seats for attendees who do not RSVP.

Here’s what Lavon has to say about her program:

“When Nancy invited me to host a CFA Crashers for Chicago Film Archives I had a general concept of the type of films I want to show. My research interest includes creativity and how it impacts our neighborhoods. What type of social impact does creative energy have on people in our neighborhoods? How do we assess the role of the arts on one’s identity development? One way we can assess creativity is by examining the materials people create and how one tells his or her story. I tend to get excited when people share their personal stories with me! It’s only natural I gravitated towards a love affair with arts. I appreciate being able to look as someone’s situation from an abstract perception of painting, performance, poetry, film or theater. The arts like everything else is rooted in politics. The politics of art impact how we live, learn, and our resources, and sometimes determines the fruits of our labor as communities and neighbors.

After weeks of consulting with Anne about the footage available at CFA, I finally narrowed down films I believe will allow us to reflect on stories about everyday people involved in the arts in our neighborhoods. This selection is about people learning, working, and striving to make a living in Chicago! The films I selected are: Creative Person: Gwendolyn Brooks, three silent films from the Don McIlvaine Collection about a near-west side art class for children called Art and Soul that will be played with live music, a documentary film on sculptor Richard Hunt, The Game, and a documentary I am producing with director Ife Olatunji on the identity-development of a few girl’s in our neighborhood!

I believe these films highlight the resilience of people in Chicago’s neighborhoods. These films are about different struggles people went through and how the arts provides opportunities for people to THRIVE! The arts can be an in road to potential and self-discovery! The film The Game produced at the age at the age of 17 by Southshore High School student Wayne Willliams definitely will lead to us to ponder somethings & start a stimulating conversation. Films will be followed by a brief discussion about arts, education, politics, and community!”

RICHARD HUNT: SCULPTOR , 1970, Encyclopedia Britannica, 16mm., Color (slightly faded), Sound, 14 min.
Using materials from Chicago’s junkyards, Richard Hunt creates sculpture which has brought him acclaim. As he is shown collecting materials, he talks about his way of life, his childhood, and his wish to serve as an example to his community.

CREATIVE PERSON: GWENDOLYN BROOKS, 1966, WTTW, 16mm., B&W, Sound, 29 min.
Ms. Brooks reads from her verses and discusses her life and works. Photographic depictions of the atmosphere are the environment in which her poetry takes place. From WTTW’s The Creative Person series.

THE GAME, 1971, Wayne Williams (instructor: Jerry Aronson), 16mm., Color, Sound, 4 min.
Shot and made only a few blocks from the Black Cinema House at South Shore High School, THE GAME is an allegory on the wastefulness of war and the duplicity of those who wage it. Student filmmaker Wayne Williams, who was 17 at the time, cuts back and forth between a chess game and a guerrilla theater war game to underscore the sense of importance of the fighters and the cynicism of those who control their lives – and deaths. The film is part of a series of student films that all won awards at the 1971 Young Chicago Filmmaker’s Festival.

Select HOME MOVIES from the Don McIllvaine Collection, 1970s, Don McIllvaine, Super 8mm., Color, Silent, approx 15 min.
Chicago’s great mural artist, Don McIlvaine (1930-2005), is known for his large scale street paintings of everyday struggles. Don taught at the University of Illinois at Chicago and was the second director of Chicago’s Lawndale art gallery, Art & Soul*, a project of the Conservative Vice Lords, where young people could express their thoughts in artistic form. Working with youth in his Lawndale neighborhood, Don elevated mural art to national attention in 1969-1970 with six dynamic and politically conscious street paintings. Interviewed for a 1970 Time magazine article about diversity in visual art, he declared, “People decorate the street because that’s where their life is.” These select home movies from Don McIllvaine’s Collection document scenes from Art & Soul where McIllvaine worked with children to paint powerful, aggressive and insistent murals throughout Lawndale. They also offer a rare glimpse at Don’s mural work, which has now, tragically, been almost entirely demolished.  All home movies will be accompanied with live music.

Chronicles of Summer: Childhood in South Shore trailer, 2015, Ife Olatunji, digital projection, Color, Sound, 3 min.

 Chicago based filmmaker Ife Olatunji is currently putting on the finishing touches on her new feature length documentary, “Chronicles of Summer: Childhood in South Shore,” which centers around 3 close friends, Indigo, Ameera, and Akili all 8 years old and growing up on the South Side of Chicago. As Ms. Olatunji states, both girls were given the opportunity to participate in visual and performance arts after school. But when school ends for the summer, it was up to the parents in the South Shore neighborhood of Chicago where they live to find a safe and affordable education for their daughters.


FACEBOOK EVENT: https://www.facebook.com/events/858782750854234/
 

Wednesday, April 29, 2015

REQUEST FOR PRE-PROPOSALS: Establishing Gathering Spaces within the Burnham Wildlife Corridor

 


 
 
In collaboration with the Burnham Wildlife Corridor Curatorial Committee, the Chicago Park District and The Field Museum are soliciting pre-proposals for the establishment of “gathering spaces” (artistic representations of culture and nature)  within a section of Burnham Park known as the Burnham Wildlife Corridor. To view the full Request for Proposals and application submission instructions, please visit: 
 
Pre-proposals will be accepted until 5:00 p.m. CST, Friday, May 29, 2015.
 

REQUEST FOR PRE-PROPOSALS

Establishing Gathering Spaces within the Burnham Wildlife Corridor

Artistic Representations of Culture & Nature
Commissioned by Chicago Park District and The Field Museum

Pre-proposals due:  5:00 p.m. CST on May 29, 2015


Overview of the Burnham Wildlife Corridor:  The Burnham Wildlife Corridor is a 100-acre ribbon of urban wilderness located within Burnham Park along Chicago’s south lakefront. Chicago Park District owns and maintains this property, which is comprised of existing and planned natural areas representative of the native tallgrass prairie, savanna, and woodland ecosystems of this region. The Burnham Wildlife Corridor extends from the McCormick Bird Sanctuary in the north to the Burnham Nature Sanctuary in the south (See Appendix for a map). When completed, it will be the largest contiguous stretch of natural areas along the Chicago lakefront.

The long-term goals associated with the Burnham Wildlife Corridor are two-fold: (1) to create healthy, vibrant native habitat for migratory birds and other wildlife; and (2) to meaningfully connect visitors, especially those from the neighboring communities of Bronzeville, Chinatown, Little Village, and Pilsen, to this revitalized public green space in ways that inspire exploration, enjoyment, and stewardship of the area.

Purpose of this Request:  As a strategy to augment and activate the Burnham Wildlife Corridor, Chicago Park District and The Field Museum are partnering to challenge teams of artists and community-based organizations (CBOs) to produce “gathering spaces” within the Corridor. Gathering spaces are intended as convening grounds and rest areas for people exploring the Burnham Wildlife Corridor. The locations of these gathering spaces have been deliberately designated to align with the native ecosystems within which they exist. (See Appendix for a map of locations.) Successful proposals will harness local creative energy, and reflect a consideration of and respect for the natural landscape, native wildlife, and an ecological aesthetic. Awarded teams will be commissioned to actualize their project plans.


Applicant Eligibility
:  Pre-proposal applicants must be artists who live and/or work primarily in Bronzeville, Chinatown, Little Village, or Pilsen – or otherwise have a strong and significant connection to one of these neighborhoods. We are particularly interested in projects that enliven the gathering spaces through aesthetics, enhance the natural areas, and envision ways to engage community members in these spaces. Prior public art experience is strongly preferred. If invited to submit a full proposal, artists MUST demonstrate an established partnership with a community-based organization for the purposes of this project specifically. Full proposals should be developed by teams of artists and organizations.

Amount of Funding Available
:  Five grants of up to $20,000 each will be awarded to create installations at the designated locations in the Burnham Wildlife Corridor. This funding can only be used to support the following aspects of a project:  design, fabrication, site work, transportation, delivery, and installation.
NOTE:  It is the project team’s responsibility to cover any project-related expenses in excess of the grant-awarded amount of funding.


FREE Materials Available
:  Chicago Park District can provide certain repurposed materials for use in awarded projects. While not required, applicants are encouraged to consider using the following:
  • A variety of concrete and granite pieces that were once part of municipal infrastructure or artworks (donated by the City of Chicago);  
  • Hardwood logs (primarily ash);
  • Three sizeable pieces of basalt (donated by Schwake Stone).
Click here to view photos of some of the available materials.


Process Timeline
:
 The Burnham Wildlife Corridor Curatorial Committee – a panel of appointed arts professionals, artists, and representatives of community-based organizations – will review all submitted materials and make the final grant award decisions.
  • Week of April 27, 2015:           RFP released
  • Week of May 11, 2015:           Information sessions held*
  • May 29, 2015:                         PRE-PROPOSALS DUE
  • June 15, 2015:                        Full proposals invited
  • July 17, 2015:                          FULL PROPOSALS DUE
  • July 27-August 7, 2015:          Pre-award interviews conducted (with up to 10 teams)
  • August 17, 2015:                     GRANT AWARDS ANNOUNCED
  • October 2015-May 2016:        Installations completed
  • Summer 2016:                        On-site opening celebration held
* Chicago Park District, The Field Museum, and the Curatorial Committee will convene two information sessions regarding this RFP. ALL interested artists and community-based organizations should attend one of these sessions to learn more about this opportunity, get questions answered, and meet potential partners.

Appendix

NOTE:  The maximum size of each Gathering Space is a 30-foot diameter area; proposed projects may be smaller in size. The number of people each Gathering Space should accommodate should not exceed 20 and may be less than that. No multi-story or closed-roof structures are allowed, and the maximum height of installations cannot exceed 10 feet.